Life In Every Breath

The concept of breathing is fascinating. It’s something all of us do countless times a day without giving it any or no thought at all. The average adult breathes between 12 – 20 breaths per minute which means that depending on how fast you read, by the time you have finished reading this paragraph you would have done at least 4 – 5 breaths, but this time you’ve actually thought about it, at least once. 

When you can’t breathe all of that changes and you’re suddenly very aware of the importance of this ‘silent-partner’ that enables you to live. 

Dr Ryan Stone (Sandra Bullock) is a medical engineer and the mission-specialist on her first trip into space. Accompanying her is commanding officer Matthew Kowalski (George Clooney), a veteran astronaut, who is doing his final mission for NASA before retiring. Everything seems to be going according to plan while on a spacewalk to make some repairs to the Hubble Telescope when they receive a warning from Houston (Mission Control) to immediately abort the mission.

A nearby Russian satellite has been destroyed by a missile strike and the debris from the explosion is approaching the team and can hit them any second. In space, debris like this can have fatal consequences. The warning from Houston is not in time and before they can reach their space shuttle it is destroyed by the impact, killing all of the crew inside.

From there things quickly escalate and take a turn for the worst. Ryan is separated from the Explorer and has to be retrieved by Kowalski, the only one who has a thruster pack. The amount of oxygen she has available to breathe is already at a critical level and with her breathing now completely out of control due to shock, getting to the International Space Station is not only their best chance of finding alternative transport back to Earth, it's a matter of life and death. 

 

As soon as they reach the ISS they notice it too is badly damaged and that both its Soyuz escape pods have already been deployed, but Kowalski believes there is a third one that can be used to help them reach a nearby Chinese space station where they will find another module, one that can be used to take them back to Earth.

Gravity is a spellbinding movie. Director Alfonso Cuaron manages to tell a compelling story at an exhilarating pace that draws you as viewer completely in to what it must feel like when you are orbiting around the Earth and suddenly experience a life or death situation.

The visuals are spectacular and Tim Webber, the film's visual effects supervisor, has done a magnificent job of creating space-effects that are accurate and true. Of course there are some laws of physics that get manipulated for the sake of developing the movie’s plot, but most astronauts interviewed about the authenticity of the movie will tell you what you witness in the film is exactly what you can expect when you are in space.

The film's main theme focuses on the human spirit’s tenacity to fight against and overcome fear. It also challenges certain perceptions, for instance: even if you could remove yourself to some remote place like space, where no other human being can hurt you, you realise that ‘hurt’ is part of life, perhaps the ingredient that defines it and the only way to overcome it is to never give up. Not quitting in life means you are alive. Eventually those who don’t quit - overcome, transforming them from mere survivors to more than conquerors.

James Cameron was quoted saying about Gravity: ‘I was stunned, absolutely floored. I think it's the best space photography ever done, I think it's the best space film ever done, and it's the movie I've been hungry to see for an awful long time.

‘Gravity 3D’ is currently on cinema circuit. If you are hungry to watch a movie that will literally transport you to another world, be sure to watch this one.

Living On The Wrong Side of Town

No one gets to choose where he or she lives. It’s a decision that is made for you before you are born and it can often shape you for good. When you come from a wealthy background, growing up in a decent neighbourhood shouldn’t be a problem or choosing to move to one, should you so desire. You have resources.

Having resources means that any obstacles you have to face are already half dealt with because you have them. But to those who don’t and still have to overcome any, the task is much harder.

When you’re living in despair and among the wrong crowd of people too, not being pulled down into your environment’s social dynamics is often impossible. The hope of keeping a dream for a better life alive with little or no proof of success usually is met with a fatal blow in the form of reality.

If you grew up in Charlestown, Boston, that blow was most likely the result of an armed robbery gone wrong.

In his second feature film as director, Ben Affleck sketches a vivid picture of life growing up in Charlestown. Affleck co-wrote the screenplay as well as starred in this edge of your seat crime-drama.

Doug MacRay (Affleck) is a career criminal, but he’s had enough. After the last bank robbery he and his fellow gang of robbers had commit, Doug realises that there’s a difference between being forced to quit and quitting while you are ahead.

Growing up in Charlestown, nothing good has ever happened in his life. His father was a career criminal too and his mother left them while he was still a young boy. But, when he is forced to follow the young bank manager they kidnapped on their last heist out of fear that she might reveal something to the FBI, Doug’s life takes an unexpected turn for the good when the two of them strike up a romantic relationship.

Claire (Rebecca Hall) is entirely unaware of the true nature of the man she is busy dating, until FBI agent Frawley (Jon Hamm) knocks on her door one day to inform her that since she opened the safe for the robbers and are now seeing their chief suspect in the case, she is likely to face prosecution, unless she is willing to help co-operate and help them catch him.

Round every twist and turn, there’s a classic standoff between the law and the lawless, complemented with some great dark-humour moments, too. 

For Doug, the hope of finding redemption in his life by running away with Claire and starting a new one seems like a real possibility. Who knows, perhaps his heart will be rewarded with what it has always longed for: the opportunity to get away from the wrong side of town.

 ‘The Town’ is a brilliant must-see movie. 

Men Without A Master

What happens to the men whose craft is war when they have no more wars to fight? What do they do? They wanted to live their lives by a warrior’s code; to delight in the battle. They understood that there is something outside of themselves that need to be served. 

When that need is gone and belief has died, they suddenly find themselves in no-man’s land and they are left wondering; who and what are they now? In feudal Japan, warriors or samurai like these became wanderers and often ‘muscle for hire’. Once they were loyal to a liege; now they were men without a master, known as ‘Ronin’.  

John Frankenheimer

In the 1998 crime-thriller ‘Ronin’, Director John Frankenheimer sketches a very surreal post cold-war picture of a group of secret operatives who is now working for the highest bidder.  There was a time they were treated as their countries' most valuable assets and expected to operate at the sharp end of the stick. Now they have no more missions and have to take mercenary jobs  - the only career where their skills are still required and of use.

Old habits however die hard and with a bunch of ex-spies and military men now all working together for a man none of them know, the stage is set for every clandestine trick in the book.

Sam (Robert De Niro) is a former CIA agent and his job is to uncover who the group’s employer is, a man known to everyone only as, ‘The man in the wheelchair’. Of course, being employed by some guy in a wheelchair seems hardly fitting for this highly skilled group of individuals, and it’s safe to say they only use the term as a kind of code.

Vincent (Jean Reno) is a French Intelligence agent and along with Sam forms a really good partnership at trying to uncover who their actual employers are. While they are secretly busy trying to find their mysterious contractor, they also have to retrieve a case from some men. Who these men are, nobody knows. What the contents of the case is, no one will say, except that it must be something very important since there are both Russian Mafia and IRA members trying their utmost to get hold of it.

The opening scenes of ‘Ronin’ are brilliantly shot. There is hardly any dialogue and as viewer, you really sense the intensity that underpins covert affairs such as these.The car-chase scene in the movie is one of the longest and best ones ever captured on film and will have you on the edge of your seat.

John Frankenheimer was in complete control over all the elements of production, a style he made uniquely his own and were known for in Hollywood. When it comes to watching this movie, the cinematic flow of the story is so smooth that you get to appreciate the result of a story well told because there is only one strong leader on set. He clearly had a vision of how things should be done, and he did so seemingly effortlessly.